Nigel Sayers
Gicleé Print with archival inks on Somerset Enhanced Velvet paper 255gsm, Limited edition of 25
Nigel Sayers was the first relief painting I made once I moved down to Brighton. The faded signage was appealing and the layering of the brickwork.
This print of a relief art canvas was created by Georgina Smith in her studio in Brighton. Each artwork is built up of multiple layers of card, cut to create a 3D image, which is then drawn and painted. Her paintings centre on historical buildings with a focus on those that have a sense of nostalgia and faded charm.
Dimensions 300x400mm or 400x500mm, unframed
Gicleé Print with archival inks on Somerset Enhanced Velvet paper 255gsm, Limited edition of 25
Nigel Sayers was the first relief painting I made once I moved down to Brighton. The faded signage was appealing and the layering of the brickwork.
This print of a relief art canvas was created by Georgina Smith in her studio in Brighton. Each artwork is built up of multiple layers of card, cut to create a 3D image, which is then drawn and painted. Her paintings centre on historical buildings with a focus on those that have a sense of nostalgia and faded charm.
Dimensions 300x400mm or 400x500mm, unframed
Gicleé Print with archival inks on Somerset Enhanced Velvet paper 255gsm, Limited edition of 25
Nigel Sayers was the first relief painting I made once I moved down to Brighton. The faded signage was appealing and the layering of the brickwork.
This print of a relief art canvas was created by Georgina Smith in her studio in Brighton. Each artwork is built up of multiple layers of card, cut to create a 3D image, which is then drawn and painted. Her paintings centre on historical buildings with a focus on those that have a sense of nostalgia and faded charm.
Dimensions 300x400mm or 400x500mm, unframed
